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Changing the white saviour complex narrative1 minute read

Challenging the manner in which development and evangelical work are carried out in Africa.

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Photo credit: The Atlantic

“No White Saviors” is a campaign launched by Kelsey Nielsen and Olivia Alaso, with the idea of challenging the manner in which development and evangelical work are carried out in Africa. Their goal is to plant the spotlight on the discrimination in development narratives and the relationship between races.

Earlier this year, English television presenter and documentary filmmaker, Stacey Dooley, posted photos on Instagram of local women dancing and children she met while filming a series of documentaries. The photos sparked outrage on social media, reigniting the conversation of “white saviour complex”.

Comic Relief, the organization Dooley was shooting for, had pledged to cease using celebrities for “poverty porn” in the recent past. CEO of Comic Relief, Liz Warner, said in a statement, that the organization had taken steps towards changing this. Only after David Lammy MP, a British Labour Party politician, criticized them for portraying Africa as a continent of poverty-stricken victims and other stereotypes.

The No White Saviours (NWS) campaign was started with the goal to rectify instances like that of Dooley and her ilk. The NWS website explains that the largely female East African group is shining the spotlight on the problematic ways in which the white saviour complex manifests on the continent. Expressing that the epidemic had nestled into the very fabric of society. The black worker receives a lower remuneration than his white counterpart.

Nielsen hails from an evangelical family and arrived in Uganda suffering the same ideological bias as any other white development worker. The irony of her being a part of NWS is obvious but indicates that change is indeed possible. She is currently working with a number of organizations to educate as many people as possible on racial discrimination.

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2Baba releases new album “Warriors”

The album is a key offering in the celebration of 2Baba’s 20 Years A King project.

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Award-winning Afropop icon 2Baba has released his new album titled “Warriors” earlier today, February 28. This album is released as part of his 20 Years a King (#20YearAKing) celebration, commemorating the two decades he has spent in the Nigerian music industry.

This new album contains just 13 tracks including previously released singles like ‘Important’, ‘Oyi’ and the Peruzzi-assisted smash hit, ‘Amaka’. The LP also boasts big-name collaborations like Burna Boy, Wizkid, Olamide, Tiwa Savage and Peruzzi. It also features appearances from AJ Natives, Symeca and his daughter HI Idibia.

The production of the album is handled by a galaxy of PBanks, Spelz, Blaq Jeerzy, Bolji Beatz, Speroach Beatz, Richie, Ploops and his longtime collaborator, Jay Sleek.

Interestingly, this is the first 2Baba album that comes with a title track, which also serves as the opener of the full-length project.

On Tuesday, February 25, the celebrated singer held a well-attended listening party for the album at the Artisan Lounge bar, Lagos.

His seventh studio album, “Warriors” is the long-overdue follow up to “The Ascension” which was met with mixed reviews upon its release in 2014.

Formerly known as 2face Idibia, 2baba is one Africa’s most successful artists, winning local, continental and international awards like BET and MTV Europe Music Awards.

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Exporting African sounds into Italy

Nigerian migrants are introducing Afrobeat to one of Italy’s most popular cities

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Nigerians are slowly stamping their authority in Italy's music space. Photo credit: Quartz Africa

Migrating from Africa to Europe is a particularly tricky business. It is usually very difficult to obtain visas, and consequently, many people opt for the long, tortuous route that runs through the Sahara Desert and extends into the Mediterranean Sea. It is a risky journey in many ways, as desperate migrants get robbed, swindled, enslaved or worse still, meet their end in the hot sands and high seas.

There is also the small matter of reputation when it comes to successful migrants. There are those who believe that men and women who manage to avoid death or slavery, and ultimately cross the borders into Italy and Spain, are either involved in drug peddling, prostitution or unsavoury menial jobs like washing up corpses.

There is a small group of people, however, who are slowly changing the narrative. These ones are not only showing that there is more that African migrants can do in Europe, but they are also exporting Nigerian music in all its exotic nature and rich flavour into one of Italy’s major cities.

Palermo, the capital city of the Sicilian province, is slowly becoming the Southern European capital for the world-conquering Afrobeats scene. Social media has given a platform to musicians who can reach a wide audience without institutional support. There are more than a few cities in Italy that are not exactly kind to migrants, but Palermo has gradually become a haven for a number of young Nigerian musicians to hone their craft and attempt to carve a niche for themselves on European shores.

The influx of these musicians has had a significant effect on the city, too. For instance, Ballaro, a small neighbourhood in Palermo, was once known as one of the most dangerous places in Italy, no thanks to the activities of the Mafia. But with the arrival of African and Asian immigrants, the neighbourhood is now revitalised and less prone to crime.

Artists like RayJeezy, Brenex Baba and Thug Money make a living from performing at night clubs across the city. They hope that their hustle ultimately pays off and that they gain worldwide recognition, but for now, they are contributing to the transformation of a city’s music and culture. Things are looking up for the African migrant population in Palermo, and it’s not hard to tell that there will be more where the music came from.

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Entertainment

Netflix Announces First Original Nigerian Series

This comes just after the U.S-based streaming giant launched Netflix Naija.

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Popular media-services provider Netflix has announced the production of its first original African series to be headlined by Nollywood director, Akin Omotoso.

This would be a six-part series that features an all-star Nollywood cast of Kate Henshaw, Ade Laoye, Richard Mofe Damijo, Joke Silva, Fabian Adeoye Lojede, Kehinde Bankole and many others. 

Directed by a team of Akin Omotosho, Daniel Oriahi and CJ Obasi, the series tells the story of a reincarnated goddess who seeks to avenge her sister’s death.

This announcement comes just after the U.S-based streaming platform unveiled Netflix Naija on Tuesday, February 25, 2020.

In a statement with Premium Times, Netflix’s Chief Content Officer, Ted Sarandos revealed that “movies like King of Boys, Merry Men and The Bling Lagosians have shown how much our members love Nigerian movies. 

“So, we’re incredibly excited to be investing in Made in Nigeria stories – bringing them to audiences all around the world.”

Over the past year, Netflix has featured a number of Nollywood movies on its streaming platform. Among such movies include the culturally and commercially successful King of Boys, October 1, The Figurine, Mokalik, and Merry Men. 

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