Fans and loved ones of South African actress Thandeka Mdeliswa have been left in mourning after the screen star was shot dead.
Popular South African actress, Thandeka Mdeliswa has ben been shot dead at her family home in Evander, Mpumalanga in South Africa as the actress, popularly known for her starring role as Khanya in the SABC 1 drama series Ikani, got shot after she waded into a heated argument her older brother has with two men at their family home. The argument got violent as one of the men grabbed his friend’s gun and shot the actress.
The two men immediately fled the scene as Mdeliswa was quickly airlifted to Steve Biko Academic Hospital in Pretoria where she died on Saturday September 5.
Her family in a statement confirmed her death adding that: “Her condition was critical but stable. She passed on in the morning of September 6th. “The circumstances surrounding her death are still under investigation by SAPS.”
“The brutality which was inflicted on our daughter us left us deeply hurt. This is another incidence of violence against women,” the statement read in part.
The police in a statement confirmed that the owner of the gun has been identified, however no suspects arrested yet.The police have identified the owner of the gun as Hlathi and also appealed for information regarding the star’s tragic death.
“We are currently investigating the incident but have not arrested anyone. Yesterday, we brought the owner of the gun to book and we were advised to get the person who pulled the trigger,” the police said. The police urged anyone with information to approach the Evander Police Station or any police station around.
The family have reportedly described her death as yet another crime against women in the country.
A statement circulating on social media, reportedly issued by the family, said Mdeliswa was airlifted to eMalahleni and then transported to Steve Biko Academic Hospital in Pretoria, where she died on Saturday morning.
Mourners took to social media to share their condolences under the hashtag #RIPThandekaMdeliswa.
The 27-year-old Mdeliswa was most known for her role as Khanya in the SABC1 drama series iKani.
“She was a young, talented and inspirational actress which her family and community were looking to see flourish. We had a lot of expectations from her,” the family said in their statement.
“The brutality which was inflicted on our daughter has left us deeply hurt. This is another incident of violence against women which our country has to fight against.”
SABC conveyed its condolences to her family, adding it was even more disturbed by news reports that her death came as a result of gunshot wounds in an apparent gender-based violence incident.
“The South African television industry has indeed been robbed of a young, talented and promising life, violently and senselessly taken away from our society in its prime.”
The family has requested respect of privacy at a time like this.
Rest in Peace Thandeka.
The Afrobeat Legend
Without much words, meet the pioneer of Afrobeat and the one who paved the way for the success and prominence of the African music and it’s industry. The great Pan-African.
Fela Anikulapo Kuti was born 15th October, 1938. He was a Nigerian multi-instrumentalist, musician, composer, pioneer of the Afrobeat music genre and Pan-Africanist. At the height of his popularity, he was referred to as one of Africa’s most “challenging and charismatic music performers”.
Kuti is remembered as an influential icon who was brave enough to boldly voice his opinions on matters that affected the nation through his music. An annual festival “Felabration” held each year to celebrate the life of this music legend and his birthday.
Since his death in 1997, there has been a revival of his influence in music and popular culture, culminating in another re-release of his catalog controlled by Universal Music, Broadway and off-Broadway biographically based shows, and new bands, such as Antibalas, who carry the Afrobeat banner to a new generation of listeners.
Fela was born in Abeokuta, the modern-day capital of Ogun State in the Federal Republic of Nigeria, then a city in the British Colony of Nigeria, into an upper-middle-class family. His mother, Chief Funmilayo Ransome-Kuti, was a feminist activist in the anti-colonial movement; his father, Reverend Israel Oludotun Ransome-Kuti, an Anglican minister and school principal, was the first president of the Nigeria Union of Teachers. His brothers Beko Ransome-Kuti and Olikoye Ransome-Kuti, both medical doctors, were well known in Nigeria. Fela is a first cousin to the Nigerian writer and Nobel laureate Wole Soyinka, the first black African to win the Nobel Prize for Literature.
Fela attended Abeokuta Grammar School. Later he was sent to London in 1958 to study medicine, but decided to study music instead at the Trinity College of Music, the trumpet being his preferred instrument. While there, he formed the band Koola Lobitos, playing a fusion of jazz and highlife.
The musical style of Fela is called Afrobeat, a style he largely created, which is a complex fusion of jazz, funk, Ghanaian highlife, psychedelic rock and traditional West African chants and rhythms. Afrobeat also borrows heavily from the native “tinker pan”. Tony Allen (Fela’s drummer of twenty years) was instrumental in the creation of Afrobeat. Fela once stated that “there would be no Afrobeat, without Tony Allen”.
Afrobeat is characterized by a fairly large band with many instruments, vocals and a musical structure featuring jazzy, funky horn sections. A riff-based “endless groove” is used, in which a base rhythm of drums, shekere, muted West African-style guitar and melodic bass guitar riffs are repeated throughout the song. Commonly, interlocking melodic riffs and rhythms are introduced one by one, building the groove bit-by-bit and layer-by-layer. The horn section then becomes prominent, introducing other riffs and main melodic themes.
Fela’s band was notable for featuring two baritone saxophones, whereas most groups were using only one of this instrument. This is a common technique in African and African-influenced musical styles and can be seen in funk and hip hop. His bands at times even performed with two bassists at the same time both playing interlocking melodies and rhythms. There were always two or more guitarists. The electric West African style guitar in Afrobeat bands are paramount, but are used to give basic structure, playing a repeating chordal/melodic statement, riff or groove.
Fela’s songs were mostly sung in Nigerian pidgin English, although he also performed a few songs in the Yoruba language. His main instruments were the saxophone and the keyboards, but he also played the trumpet, electric guitar, and took the occasional drum solo. Fela refused to perform songs again after he had already recorded them, which also hindered his popularity outside Africa.
As Fela’s musical career developed, so too did his political influence throughout the world. In turn, the religious aspect of his musical approach grew. Fela was a part of an Afro-Centric consciousness movement that was founded on and delivered through his music. In an interview found in the Hank Bordowitz analysis Noise of the World, Fela stated: “Music is supposed to have an effect. If you’re playing music and people don’t feel something, you’re not doing shit. That’s what African music is about. When you hear something, you must move. I want to move people to dance, but also to think. Music wants to dictate a better life, against a bad life. When you’re listening to something that depicts having a better life, and you’re not having a better life, it must have an effect on you.”
Kuti was a political giant in Africa from the 1970s until his death. He criticized the corruption of Nigerian government officials and the mistreatment of Nigerian citizens. He spoke of colonialism as the root of the socio-economic and political problems that plagued the African people. Corruption was one of the worst political problems facing Africa in the 70s, if not the worst; and Nigeria was among the most corrupt countries of the time. Its government was responsible for election rigging and coups that ultimately worsened poverty, economic inequality, unemployment, and political instability, which further promoted corruption and thuggery. Fela’s protest songs covered themes inspired by the realities of corruption and socio-economic inequality in Africa. Fela Kuti’s political statements could be heard throughout Africa.
Kuti was outspoken; his songs spoke his inner thoughts. His rise in popularity throughout the 1970s signaled a change in the relation between music as an art form and Nigerian socio-political discourse. In 1984, he harshly criticized and insulted the then authoritarian president of the Federal Republic of Nigeria, Muhammadu Buhari. One of his popular songs, “Beast Of No Nation”, refers to Buhari as an animal in a madman’s body; in Nigerian Pidgin: “No be outside Buhari dey ee, na krase man be dat, animal in krase man skin ii”. Kuti strongly believed in Africa and always preached peace among Africans.
The Egyptian King of the Generation
Egypt has produced many great singers who are thriving beautifully in the world of music.
Meet one of them.
Tamer Hosny Sherif Abbas Farghaly was born 16th August, 1977 and is known by his artistic name Tamer Hosny. He is an Egyptian singer, actor, composer, director and songwriter. He first came to public attention when he appeared on mix tapes with other Egyptian artists. Hosny launched his solo career with his 2004 album Hob, becoming a successful singer of romantic music and was given the nickname “King of the Generation” by his fans. In December 2019, Hosny broke the Guinness World Record for the most contributions to a bulletin board.
Tamer Hosny was born in Cairo Unlike his father, Hosny Sherif Abbas, Tamer Hosny grew up with an interest in football and played the sport for five years.Tamer Hosny had his first directorial experience in 2010 when directing his music video “Sa7eet 3la Sotha”. Tamer had a long-held ambition to become a director and to make his own music video. Hosny starred in the 2003 Egyptian film Halet Hob (A State of Love). In 2006, he was arrested for forging military papers to avoid serving in the army. He received a one-year prison sentence, yet he only stayed in jail for six months.
In 2012 he released “Omar & Salma 3”, the third sequel to the Omar & Salma films. Hosny has frequently stated that he was not satisfied with the film. In a recent interview on the Set El Hosn program, he admitted that “I’m not happy with how the movie turned out, although many people love it and it was a box office success. I don’t blame anyone else for that, I take responsibility for it. We had to make major plot changes due to financial reasons.”
After three years away from the movie industry, he released Ahwak alongside Ghada Adel and Ahmed Malek. It is a romantic comedy about a young plastic surgeon who falls in love with a divorced woman. The film was a success at the box office, with total revenue of 22 million Egyptian pounds.
In 2017, Hosny released Tesbah ala kher (Good Night), a comedy drama about a wealthy entrepreneur who suffers from depression and hallucinations. Falcon films – the company responsible for distributing the movie in the Arab world – released an official statement saying that the movie has topped the box office in the Arab world.
Tamer sang Bokra “Tomorrow (A Better You, Better Me)” a charity single that was released on 11 November 2011 at 11:11 pm, along with Rim Banna, Akon, Diana Karazon, Marwan Khoury, Latifa, Souad Massi, Hani Mitwasi, Saber Rebaï, Kathem Al-Saher, Waed, Sherine and other Arab Artists. The single will distribute the proceeds of its donations to various organisations, institutions and charities with arts and culture programs. The eight-minute song was written by Majida El Roumi, and produced by Quincy Jones and RedOne.
Tamer Hosny has recorded a new duet song with Shaggy, named “Smile”. The song, written and composed by Tamer Hosny, wasdistributed all over the world. The music video was released at the beginning of 2012; the music video was shot in New York City, and it has achieved huge success; it achieved more than one million views in only 3 days on YouTube, and for this exceptional growth rate, YouTube awarded the music video a trending medal.
Tamer decided to make his Egyptian/Arab identity present in these collaborations, So he made Snoop Dogg appear in their music video wearing Egyptian traditional cloths known as Jellabiya and also wrote Snoop’s name in Arabic on the car appearing in the video.
Tamer performed “Right Where I’m Supposed to Be” as the Official Song of the 2019 Special Olympics World Summer Games in Abu Dhabi, United Arab Emirates in collaboration with Ryan Tedder, Avril Lavigne, Luis Fonsi, Hussain Al Jassmi and Assala Nasri openly presented by Public figure Hilal Al- Battashi.
Because of Tamer’s famous charismatic stage presence and creativity, his fans now call him “King of the stage”. In an interview with Sherihan Abu Al Hassan on her program Set El Hosn, Tamer said that he doesn’t pay much attention to the titles given to him by the fans like “King of generation” although he does appreciate the “King of the stage” title due to his efforts to improve the stage appearance in Egypt. “I’m no king, I’m not a fan of titles at all, I only appreciate the fact that my efforts to improve Egypt’s stage appearance are acknowledged by the fans ” he said, “My favorite title is just being called an Egyptian Arab artist when performing abroad.”
Nomcebo shoots herself in the foot.
Reports have it that Jerusalema star Nomcebo Zikode has landed herself in trouble after she allegedly ignored Covid-19 lockdown regulations and performed at a packed venue.
Ironically, the musician is the one who snitched on herself when she posted a video of her performance on social media.
In the video posted by the musician, she can be seen leading a sing-along and encouraging audience members to sing into her microphone. Nomcebo was also flanked by dancers who pressed up against her while she was performing. The crowd of excited fans could be seen huddled together with no social distancing and no wearing of masks.
Posting the video on Twitter, Nomcebo wrote; “Thanks a lot, Thavhani Mall News Cafe, Thohoyandou, Venda,”
Nomcebo later realized the folly of her actions and deleted the video. By then, however, it was too late. She had already snitched on herself. One of her fans had already downloaded the video and uploaded it onto Youtube.
When questioned about the faux pas, Nomcebo’s management denied any responsibility for the events which occurred saying that it was the venue’s responsibility to ensure adequate health and safety protocols were kept. In an interview with TshisaLive, Bongani Dube said;
“If we are called for performance, whenever, wherever, it is the owner or management of the venue who are supposed to ensure requirements for Covid-19. As a performer, Nomcebo does not have the power to do all those things. Where were the police if the venue was overcrowded? I don’t like that people are saying she participated in it. She is a performer. It was at night. We did one song. We did our show and we left. We did not stay there,”
News Cafe brand manager Varina Singh said the company had since launched an investigation into the matter.
“We have been made aware of the concerns regarding an event hosted at News Cafe Thohoyandou over the weekend, and as the franchisor, we have launched an investigation.
“As a brand, we take non-compliance very seriously, especially since we have taken the necessary steps to minimise Covid-19 risks and exposure at all our stores with strict adherence. Pending the outcome of the investigation, the required action will be taken”.
Nomcebo Zikode is popularly known by her mononym Nomcebo, is a South African singer and songwriter. She is known for her collaboration with DJ Ganyani on their hit single “Emazulwini” and globally for her and Master KG’s hit gospel single “Jerusalema”.
She worked mostly as a back-up singer for other South African artistes like Deborah Fraser, Zahara, Lundi Tyamara and Nhlanhla Nciza for more than 15 years. She was also signed under Ganyani Entertainment, where she provided vocals for songs like “Emazulwini”, which received a nomination for the Record of the Year at the South African Music Awards, “NTO” and “Jabulile”, but as she did not own the songs, she was not allowed to perform them without the consent of the label. Her style of music is Gospel-house.
She gained worldwide popularity after working with DJ Master KG on his 2020 hit single “Jerusalema” for which she provided vocals. She had met Master KG after falling out with Ganyani Entertainemnt. After the success of “Jerusalema”, she released her debut album, Xola Moya Wam. On the album, she features Master KG on the title track, Bongo Beats on two tracks and Makhadzi on another track.
She has released an album titled Xola Moya Wam. She made a collaboration with Master KG and Makhadzi in some of her songs. “Xola Moya Wam”, the title track, is getting much air play and has reached the gold status on Risa. Another popular song on the album is “Siyafana”.
The Afrobeat Legend
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