Davido’s new hit single video becomes the fastest video to hit 1 million views. Davido’s new hit single ‘Fem’ was released September 10, 2020 and in less than 7 hours after its release, it got a million views. The Nigerian singer released ‘Fem’ as a comeback following his announced break from social media since June 3, 2020. The singer took to his Instagram page to say that he needed a break to take care of himself as , he has according to him put people before him and that he was changing his number.
The newly released song which many have perceived to be a diss to African Giant, singer, Burna boy is presently the music sensation and talk of the town.
Davido who recently became a father for the third time is the son of Nigerian politician, billionaire, business magnate, founder and president of Adeleke University, Adedeji Adeleke. He was born November 21, 1992 as David Adedeji Adeleke but better, popularly and professionally known as Davido. He is an American-born Nigerian singer, songwriter and record producer.
He studied Business Administration at Oakwood University before dropping out to make beats and record vocal references. Davido rose to fame after releasing “Dami Duro”, the second single from his debut studio album Omo Baba Olowo (2012), from which six additional singles—”Back When”, “Ekuro”, “Overseas”, “All of You”, “Gbon Gbon”, and “Feel Alright”—were taken. In 2012, Davido won the Next Rated award at The Headies. Between 2013 and 2015, he released the hit singles “Gobe”, “One of a Kind”, “Skelewu”, “Aye”, “Tchelete (Goodlife)”, “Naughty”, “Owo Ni Koko”, “The Sound” and “The Money”.
In January 2016, Davido announced on Twitter he had signed a record deal with Sony Music and a few months later founded the record label Davido Music Worldwide (DMW), to which acts Dremo, Mayorkun, Yonda and Peruzzi are currently signed.
In July 2016, Davido signed a record deal with Sony’s RCA Records. In October 2016, he released the 5-track EP Son of Mercy, which was supported by the singles “Gbagbe Oshi”, “How Long” and “Coolest Kid in Africa”. In April 2017, Davido re-negotiated his contract with Sony due to creative control issues and later that year he released five singles including “If” and “Fall”. “If” generated worldwide social media activity while “Fall” became the longest-charting Nigerian pop song in Billboard history. Davido released his second studio album A Good Time in November 2019. It was supported by the previously released singles “If”, “Fall”, “Assurance”, “Blow My Mind” and “Risky”.
In May 2020, Davido announced that his upcoming third studio album would be titled A Better Time, and that it would include 11 tracks, with features from Nicki Minaj and Tiwa Savage.
In July, he performed on the Tonight Show Starring Jimmy Fallon and was seen in studio with rapper Nas. On August 31, 2020, Davido returned to social media after taking a three-month break to chat with the Grammy Museum on Instagram Live about the rise of Afrobeats and other issues within the industry. During the Live session, Davido also revealed that he has completed work on his A Better Time. No release date has yet been specified. On September 10, 2020, Davido returned with the single, “FEM”, alongside its music video.
The Afrobeat Legend
Without much words, meet the pioneer of Afrobeat and the one who paved the way for the success and prominence of the African music and it’s industry. The great Pan-African.
Fela Anikulapo Kuti was born 15th October, 1938. He was a Nigerian multi-instrumentalist, musician, composer, pioneer of the Afrobeat music genre and Pan-Africanist. At the height of his popularity, he was referred to as one of Africa’s most “challenging and charismatic music performers”.
Kuti is remembered as an influential icon who was brave enough to boldly voice his opinions on matters that affected the nation through his music. An annual festival “Felabration” held each year to celebrate the life of this music legend and his birthday.
Since his death in 1997, there has been a revival of his influence in music and popular culture, culminating in another re-release of his catalog controlled by Universal Music, Broadway and off-Broadway biographically based shows, and new bands, such as Antibalas, who carry the Afrobeat banner to a new generation of listeners.
Fela was born in Abeokuta, the modern-day capital of Ogun State in the Federal Republic of Nigeria, then a city in the British Colony of Nigeria, into an upper-middle-class family. His mother, Chief Funmilayo Ransome-Kuti, was a feminist activist in the anti-colonial movement; his father, Reverend Israel Oludotun Ransome-Kuti, an Anglican minister and school principal, was the first president of the Nigeria Union of Teachers. His brothers Beko Ransome-Kuti and Olikoye Ransome-Kuti, both medical doctors, were well known in Nigeria. Fela is a first cousin to the Nigerian writer and Nobel laureate Wole Soyinka, the first black African to win the Nobel Prize for Literature.
Fela attended Abeokuta Grammar School. Later he was sent to London in 1958 to study medicine, but decided to study music instead at the Trinity College of Music, the trumpet being his preferred instrument. While there, he formed the band Koola Lobitos, playing a fusion of jazz and highlife.
The musical style of Fela is called Afrobeat, a style he largely created, which is a complex fusion of jazz, funk, Ghanaian highlife, psychedelic rock and traditional West African chants and rhythms. Afrobeat also borrows heavily from the native “tinker pan”. Tony Allen (Fela’s drummer of twenty years) was instrumental in the creation of Afrobeat. Fela once stated that “there would be no Afrobeat, without Tony Allen”.
Afrobeat is characterized by a fairly large band with many instruments, vocals and a musical structure featuring jazzy, funky horn sections. A riff-based “endless groove” is used, in which a base rhythm of drums, shekere, muted West African-style guitar and melodic bass guitar riffs are repeated throughout the song. Commonly, interlocking melodic riffs and rhythms are introduced one by one, building the groove bit-by-bit and layer-by-layer. The horn section then becomes prominent, introducing other riffs and main melodic themes.
Fela’s band was notable for featuring two baritone saxophones, whereas most groups were using only one of this instrument. This is a common technique in African and African-influenced musical styles and can be seen in funk and hip hop. His bands at times even performed with two bassists at the same time both playing interlocking melodies and rhythms. There were always two or more guitarists. The electric West African style guitar in Afrobeat bands are paramount, but are used to give basic structure, playing a repeating chordal/melodic statement, riff or groove.
Fela’s songs were mostly sung in Nigerian pidgin English, although he also performed a few songs in the Yoruba language. His main instruments were the saxophone and the keyboards, but he also played the trumpet, electric guitar, and took the occasional drum solo. Fela refused to perform songs again after he had already recorded them, which also hindered his popularity outside Africa.
As Fela’s musical career developed, so too did his political influence throughout the world. In turn, the religious aspect of his musical approach grew. Fela was a part of an Afro-Centric consciousness movement that was founded on and delivered through his music. In an interview found in the Hank Bordowitz analysis Noise of the World, Fela stated: “Music is supposed to have an effect. If you’re playing music and people don’t feel something, you’re not doing shit. That’s what African music is about. When you hear something, you must move. I want to move people to dance, but also to think. Music wants to dictate a better life, against a bad life. When you’re listening to something that depicts having a better life, and you’re not having a better life, it must have an effect on you.”
Kuti was a political giant in Africa from the 1970s until his death. He criticized the corruption of Nigerian government officials and the mistreatment of Nigerian citizens. He spoke of colonialism as the root of the socio-economic and political problems that plagued the African people. Corruption was one of the worst political problems facing Africa in the 70s, if not the worst; and Nigeria was among the most corrupt countries of the time. Its government was responsible for election rigging and coups that ultimately worsened poverty, economic inequality, unemployment, and political instability, which further promoted corruption and thuggery. Fela’s protest songs covered themes inspired by the realities of corruption and socio-economic inequality in Africa. Fela Kuti’s political statements could be heard throughout Africa.
Kuti was outspoken; his songs spoke his inner thoughts. His rise in popularity throughout the 1970s signaled a change in the relation between music as an art form and Nigerian socio-political discourse. In 1984, he harshly criticized and insulted the then authoritarian president of the Federal Republic of Nigeria, Muhammadu Buhari. One of his popular songs, “Beast Of No Nation”, refers to Buhari as an animal in a madman’s body; in Nigerian Pidgin: “No be outside Buhari dey ee, na krase man be dat, animal in krase man skin ii”. Kuti strongly believed in Africa and always preached peace among Africans.
The Egyptian King of the Generation
Egypt has produced many great singers who are thriving beautifully in the world of music.
Meet one of them.
Tamer Hosny Sherif Abbas Farghaly was born 16th August, 1977 and is known by his artistic name Tamer Hosny. He is an Egyptian singer, actor, composer, director and songwriter. He first came to public attention when he appeared on mix tapes with other Egyptian artists. Hosny launched his solo career with his 2004 album Hob, becoming a successful singer of romantic music and was given the nickname “King of the Generation” by his fans. In December 2019, Hosny broke the Guinness World Record for the most contributions to a bulletin board.
Tamer Hosny was born in Cairo Unlike his father, Hosny Sherif Abbas, Tamer Hosny grew up with an interest in football and played the sport for five years.Tamer Hosny had his first directorial experience in 2010 when directing his music video “Sa7eet 3la Sotha”. Tamer had a long-held ambition to become a director and to make his own music video. Hosny starred in the 2003 Egyptian film Halet Hob (A State of Love). In 2006, he was arrested for forging military papers to avoid serving in the army. He received a one-year prison sentence, yet he only stayed in jail for six months.
In 2012 he released “Omar & Salma 3”, the third sequel to the Omar & Salma films. Hosny has frequently stated that he was not satisfied with the film. In a recent interview on the Set El Hosn program, he admitted that “I’m not happy with how the movie turned out, although many people love it and it was a box office success. I don’t blame anyone else for that, I take responsibility for it. We had to make major plot changes due to financial reasons.”
After three years away from the movie industry, he released Ahwak alongside Ghada Adel and Ahmed Malek. It is a romantic comedy about a young plastic surgeon who falls in love with a divorced woman. The film was a success at the box office, with total revenue of 22 million Egyptian pounds.
In 2017, Hosny released Tesbah ala kher (Good Night), a comedy drama about a wealthy entrepreneur who suffers from depression and hallucinations. Falcon films – the company responsible for distributing the movie in the Arab world – released an official statement saying that the movie has topped the box office in the Arab world.
Tamer sang Bokra “Tomorrow (A Better You, Better Me)” a charity single that was released on 11 November 2011 at 11:11 pm, along with Rim Banna, Akon, Diana Karazon, Marwan Khoury, Latifa, Souad Massi, Hani Mitwasi, Saber Rebaï, Kathem Al-Saher, Waed, Sherine and other Arab Artists. The single will distribute the proceeds of its donations to various organisations, institutions and charities with arts and culture programs. The eight-minute song was written by Majida El Roumi, and produced by Quincy Jones and RedOne.
Tamer Hosny has recorded a new duet song with Shaggy, named “Smile”. The song, written and composed by Tamer Hosny, wasdistributed all over the world. The music video was released at the beginning of 2012; the music video was shot in New York City, and it has achieved huge success; it achieved more than one million views in only 3 days on YouTube, and for this exceptional growth rate, YouTube awarded the music video a trending medal.
Tamer decided to make his Egyptian/Arab identity present in these collaborations, So he made Snoop Dogg appear in their music video wearing Egyptian traditional cloths known as Jellabiya and also wrote Snoop’s name in Arabic on the car appearing in the video.
Tamer performed “Right Where I’m Supposed to Be” as the Official Song of the 2019 Special Olympics World Summer Games in Abu Dhabi, United Arab Emirates in collaboration with Ryan Tedder, Avril Lavigne, Luis Fonsi, Hussain Al Jassmi and Assala Nasri openly presented by Public figure Hilal Al- Battashi.
Because of Tamer’s famous charismatic stage presence and creativity, his fans now call him “King of the stage”. In an interview with Sherihan Abu Al Hassan on her program Set El Hosn, Tamer said that he doesn’t pay much attention to the titles given to him by the fans like “King of generation” although he does appreciate the “King of the stage” title due to his efforts to improve the stage appearance in Egypt. “I’m no king, I’m not a fan of titles at all, I only appreciate the fact that my efforts to improve Egypt’s stage appearance are acknowledged by the fans ” he said, “My favorite title is just being called an Egyptian Arab artist when performing abroad.”
Onyeka Owenu, The Elegant Stallion
Onyeka Onwenu blew the hearts and minds of Africans in the early 80s when she started her music career while still working with the NTA as a broadcaster.
She was born 31st January, 1952 and hails from Arondizuogu, a small town in Ideato North, Imo State. She was raised in Port Harcourt. She is the youngest daughter of Nigerian educationist and politician D.K. Onwenu who died when she was four years old in an auto crash a week before his appointment as Minister for Education, leaving his widow, Hope, to raise five children alone after her husband’s family denied her access to his property (The song “African Woman” from Onwenu’s fourth album One Love is loosely inspired by her mother).
Onyeka is a Nigerian singer/songwriter, actress, human right activist, social activist, journalist, politician, and former X Factor series judge. Dubbed the “Elegant Stallion” by the Nigerian press, she is a former chairperson of the Imo State Council for Arts and Culture. In 2013 she was appointed the Executive Director/Chief Executive Officer of the National Centre for Women Development.
She possesses a BA in International Relations and Communication from Wellesly College, Massachusetts, and an MA in Media Studies from The New School for Social Research, New York. She worked for the United Nations as a tour guide before returning to Nigeria in 1980 to complete her mandatory one-year national service with NTA where she made an impact as a newsreader and reporter. In 1984, she wrote and presented the internationally acclaimed BBC/NTA documentary Nigeria, ‘A Squandering of Riches’ which became the definitive film about corruption in Nigeria as well as the intractable Niger Delta agitation for resource control and campaign against environmental degradation in the oil rich region of Nigeria.
A former member on the board of the NTA, she has also worked as a TV presenter, hosting the shows Contact in 1988 and Who’s On? In 1993 both on NTA Network. Originally a secular artist, Onwenu made the transition to gospel music in the 90s, and most of her songs are self-penned. She wrote and sang about issues such as health (HIV/AIDS), peace and mutual coexistence, respect for women rights, and the plight of children.
She began her music career in 1981 while still working in NTA, releasing the album For the Love of You, a pop album which featured an orchestral cover of Johnny Nash’s “Hold Me Tight”, and her second album Endless Life was produced by Sonny Okosuns. Both records were released on the EMI label.
Her first album with Polygram, ‘In The Morning Light’, was released in 1984. Recorded in London, it featured the track “Masterplan” written by close friend Tyna Onwudiwe who had previously contributed to Onwenu’s BBC documentary and subsequently sang back-up vocals on the album. After her fourth release, 1986’s One Love which contained an updated version of the song “In the Morning Light”, She collaborated with veteran jùjú artist Sunny Ade on the track “Madawolohun (Let Them Say)” which appeared in 1988’s Dancing In The Sun. This was the first of three songs the pair worked on together; the other two – “Choices” and “Wait For Me” – centred on family planning, and were endorsed by the Planned Parenthood Federation of Nigeria who used “Choices” in their commercials. Her final release on Polygram was dedicated to Winnie Mandela, the subject of a song of the same name which She performed live when Nelson Mandela and his wife visited Nigeria in 1990 following his release from prison.
Onyeka diverted to Benson and Hedges Music in 1992 and released the self-titled Onyeka!, her only album with the label, after which she made the transition to Christian/gospel music.
Onyeka didn’t stop at the broadcast and music industry but also went in to the movie industry and still did beautifully well. She featured in numerous Nollywood movies, and in 2006 she won the African Movie Academy Award for Best Actress in a Supporting Role for her performance in the movie “Widow’s Cot”. She was also nominated that same year for African Movie Academy Award for “Best Actress in a Leading Role” in the movie “Rising Moon” In 2014. She was in the movie “Half of a Yellow Sun” with Chiwetel Ejiofor and Thandie Newton, she was also in “Lion Heart” with Genevieve Nnaji who happened to be the producer.
Her most popular songs are Iyogogo, Kosi, Oh Woman and more.
Onyeka was and still is a great woman!
The Afrobeat Legend
China To Offer Angola More Assistance In COVID-19 Fight
Nigeria Records 116 New COVID-19 Cases
UFC 253: Israel Adesanya Knocks Out Paulo Costa
The Egyptian King of the Generation
”I Didn’t Buy Airtel Vote to Support Kiddwaya” – Billionaire Terry Waya
Ivorian Singer, Eudoxie Yao Says She And Her Boyfriend Do Not Care About Physique
Ghanaian Pastor, Sylvester Ofori, Shoots Wife Dead In U.S
Nasty C: The Young But Mighty African Act
Ceec Opens Up On “Dating”
West Africa Politics4 days ago
Guinea Bissau Names Road After Nigeria’s President
Politics5 days ago
Mali Asks ECOWAS To Lift Sanctions
News4 days ago
Chinese University Offers Ethiopia’s Amharic Language As Full Course
West Africa News4 days ago
23 Die In Nigeria’s Kogi’s Petrol Tanker Explosion
Business News4 days ago
HP or Hewlett Packard, who is leaving Kenya?
News3 days ago
Massive Explosion Rocks Ajuwon Iju-Ishaga Area Of Lagos, Nigeria
East Africa Sports News4 days ago
African Stars Set For Doha Leg of Diamond League
Health4 days ago
Most People Who Died Of COVID-19 Were Elderly, Says Nigeria’s NCDC